I submitted more. Soon, a gallery contacted me.
When I explained that the true artist was my late mother-in-law, they asked for an exhibition. It wasn’t large, but it was real. People stood before her art and wept, seeing themselves in the quiet ache of her brushstrokes.
Then another letter came from her lawyer. A safety deposit box, accessible only to me. Inside was a check for $40,000—and another note.
“If you ever decide to chase your dream, this is my way of helping. Don’t tell my son. He wouldn’t understand. But you will.”
I cried harder than I had in years.
With that money, I opened a small gallery downtown—a place for overlooked artists, especially older women who had never been given a chance. I named it The Teardrop. After her necklace. After her.
What She Really Left Me
It has been three years.
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