Two weeks later she began “clearing clutter” with the efficiency of someone cleaning a place they never meant to call home. Suits. Shoes. And then a trash bag filled with Dad’s ties — the wild paisleys, the ridiculous guitars, the striped ones he wore on “big meeting” days.
“He’s not coming back for them,” she said, letting them drop into the bag.
Prom hovered on the calendar like a dare I didn’t want to accept. One night, sitting on my bedroom floor with that bag of ties beside me, an idea appeared like a thread pulling itself taut. If he couldn’t be there with me… I could bring him with me.
I taught myself to sew in the quiet hours after midnight — crooked seams, YouTube tutorials, pricked fingers — until those ties became a skirt. Every piece held a memory: the paisley from his big interview, the navy from my middle-school solo, the silly guitars he wore every Christmas when he burned cinnamon rolls and insisted it was “part of the recipe.”
When I zipped it up, the silk caught the light and felt warm, as if his arm had briefly settled around my shoulder.
Carla stopped in my doorway, looked me over, and actually snorted.
“You’re wearing that? It looks like something made from a bargain-bin craft kit.”
As she walked away, she added — loud enough — “Always milking the orphan act, aren’t we?”
The words stung deep. I hung the skirt up and whispered to myself that love is not a plea for pity. Love is a promise.
The next morning, I woke to the sharp scent of her perfume. My closet door was open. The skirt lay on the floor — seams ripped, threads trailing like veins, some ties slashed clean through.
I called her name, my voice shaking. She drifted in, coffee in hand.
“Hideous, Emma. I did you a favor. Be realistic.”
I sank to my knees, gathering the torn pieces as if I could shield them.
“You destroyed the last thing I had of him.”
She sighed. “Please. He’s gone. Ties won’t bring him back.”
The front door slammed behind her, leaving the house echoing and hollow.
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