Throughout the 1970s, she became a familiar presence on New York stages, performing in off-Broadway and Broadway productions that demanded emotional range and stamina. Her work in plays such as Lenny and Shenandoah demonstrated her ability to inhabit complex roles without exaggeration. Colleagues from that period often described her as meticulous, reserved, and deeply committed to rehearsal, someone who listened as much as she spoke.
Her transition to more prominent film roles came naturally. Milford appeared in Valentino, followed by performances in Endless Love and other notable projects. But it was her role in Coming Home that would define her legacy in cinema. Continue reading…
